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Viewing
JPEG & GIF Images

Introduction
Camera Work
Group f/64
Reference Materials
The Zone System
the Ansco Memo

making a
Photograph
Image Management
Sharpness
Negative Size
Field of View & Focal Length
Depth of Field & Diffraction

FILM
Response to Light
Finding Film Speed
Making a Choice
Exposing
SEI Exposure Photometer
Developing
PMK Pyro
Rodinal
History & Credits
Slitter for the Minox.
and for 120 Rollfilm
living with Roll Film

about the PRINT
Digital Negatives

Digital Imaging
what are Pixels
Binary Arithmetic
Color and Grayscale Codes

the Scanner.
Density Range
Negative or Print?
Color or B&W?

Manipulation
Adjusting Tonal Range

the Minox
Using a Minox
Loading & UnLoading
Setting Film & Shutter Speeds
Negative Enlargeability
Slitting & Loading Film
Film Developing Tank
Equipment, Supplies, Service, Processing
References & Galleries

the Gallery

Links

Other Passions

Copyright Notice

 the "Complan" vs the "Minox" Lens

If there is a difference in performance, it is ...

  • .... more a "feeling" than overwhelming visual experience.
  • .... probably not evident in enlargements less than 8x10 inches.
  • .... perhaps only visible in prints made on RC paper (sharper images than fiber paper).
  • .... not demonstrable with film of lesser fineness, (T-Max 100, etc., even AgfaPan 25)
  • .... dependent on a steady camera support in the form of a tripod, sandbag, or youth.
  • .... directly related to critical focus.

The list contains items, such as tripods and very slow films, which largely defeat the purpose for which we love the little gem, and thus are rather irrelevant. So, why do you carry an 8x11mm Minox? If your reason is similar to that of the inventor, the difference between the two lenses is of little interest.

The photographer is responsible for a MUCH greater loss of quality than the camera!

The Complan lens of the early models featured a compromise between lens correction and film curvature to achieve edge to edge sharpness. This is only possible if a film gate presses the film into the exact position needed.

The "Minox" lens abandoned this design in favor of a fully corrected lens and flat film gate.

So, finally, after years of wondering, I loaded a B, "Complan" C, "Minox" C, LX, and just for fun an ECX with Fuji Super HR film, loaded up the Tiltall tripod, and went to the harbor, the hills, and the RxR station. Results from the three locations seem to be well summarized by the sign in this harbor scene.

With the enlarger set to make an 11x14 inch print from a 8x11 mm Minox negative, a portion of the full frame image at the left was printed. The print, which is approximately a 32x enlargement was then scanned using a 600 sample per inch setting.

A small sign (outlined in red) was then isolated and shown below without resizeing. If your monitor displays 72 pixels per inch, as mine does, the images displayed represent another 8.33 enlargement for a total enlargement factor of 269.

I have tried to match the prints below, for density, as much as possible. You may draw your own conclusions.

The results provided by the ECX at a distance well beyond its intended range are, to me, remarkable, even more so in view of the fact that the negative quality was degraded by excessive density.

LX
"Minox" Lens

ECX
"Minox" Lens
Fixed focus at 2M (~6ft.)

B
"Complan" Lens

C
"Complan" Lens

C
"Minox" Lens